The Art of Yo.

The song from Montana was a curious synchronicity but the song that played after was even more so!

https://www.youtube.com/watch?v=zLnfITi_wgY

Canibus - The Art of Yo ft K-Rino & Born Son

Bastard style with no father tryna claim the kid
I called it X 'cause I ain't even tryna name the shit
Sundullah, you see me on the stage with Rip
Nitrogen lungs yo my tongue mix propane with spit
And I'm nice, the voice of Christ resurrected through mics
Son of God, Son of Man, helping some of y'all will overstand
Crash the Vatican as soon as I land
I'm 'bout to set it on in the gulf of Adan
I stand in the Garden of Eden, unbeaten, undefeated
I tweeted pictures of Eve, tonguing cheeses
Scientology guides put my rhymes on photography slides
To quantify the higher knowledge applied
But I'm an uncaged animal channeling Hannibal
A cannibal, bite your head off and hand it to you
SpitBoss, centrifugal force different from yours
The Sun is Born, this is Lyrical Law, Yo!!!

I've never been a friendly author,
don't need a gangster beat to make me off ya,
I'll slaughter ya while playing Cyndi Lauper

Better than y'all, give me one competitive brawl
I throw a hundred miles an hour with a medicine ball
I'll melt your fortress down to caramel softness
Drive a charger through ya torso, parallel park it
That cosmic ray beam effect, I Hiroshima wreck
Rap disaster so tragic they gave his ass a FEMA check
Cadence is radiant, I predated Arcadians
I stayed with the brigade of alien etho-sapiens
Hit your through the atrium of heavenly light
Once I smite you, like a left arm you'll never be right
I've used every word possible to let you know what I can do
So I made something new, I'll collipherously clobber you
You ain't legitimate, you posing like a model do
I'll throttle you, liquidate and sixteen ounce bottle you

I'm tryna figure out, who this nigga barking at?
Before his heart gets snatched, run up on him in a stocking cap
Keep barking like you hard, get stalked and clapped
Come in the cage you get stomped on the mat
Carve your name in the axe, then chop you in the back
Hack off your femur bones, beat you with them like bats
Put your remains in saran wrap, dump them in an alcohol vat
You can rap but you ain't all that

Step inside, close the door, fuck you yelling for?
Kick your head off, now it's rolling on the floor like a bowling ball
Open the door, clean this fucking mess off my wall
And don't ever mention his name no more
You dig? you follow me nigga, I follow you quicker
You got a weak ticker, told you not to fuck with the Ripper
Have you showing your true colours, drinking blood from ya liver
You a dickrider and you an Indian giver
Waging war with some gorillas, I'll bludgeon you by the river
The park ranger is pissing he gon find you while he's fishing
Fistula face, herpes simplex outbreak
Alienated aliens get ate by alien apes
You food nigga, throw yourself over the gate
How does alien taste? Like mammalian waste
You ain't swift. You's a dumb fuck
I'll have you breathing like your lungs got struck by two-hundred pound nunchucks
Brave motherfuckers get slayed for Hip Hop if you love it

Like Kill Bill between a hundred gay lovers

I'm the illest nigga say something...
Yeah I thought so, shut the fuck up things will go back to normal
I ain't happy tho, now I'm in battle mode

The president of Hip Hop with mad motherfuckers on the grassy Knoll

I take it back to my Curriculum days
What you say? I body you in meticulous ways
Cos you thought I was a donut, you tried to glaze
Let me tell you something, don't pop shit fistula face
Battle league nigga, talking shit's for amateurs nigga
Goddammit, y'all living off fantasies nigga
You wanna battle that bad? aight go get your camera
When it's my turn, I got a four and a half pound answer
When I was young, I took down hard targets

You a sausage nigga, for coming at me like a novice
You never heard 'Fraternity of the Impoverished'?
Motherfucker, can't you see that I'm an artist?
I don't want them childish problems
Lyrical manslaughter charges interfere with my Lyrical Law process
Out rap me? that's preposterous, metaphor marksman mudswamping
We hunt down Hip Hop monsters
Skin 'em alive tie their carcass to the bottom of my Polaris
And drive them all the way to Wisconsin
Partner, fuck around, throw your ass under the bus face down
Lay down, we gonna wait for this greyhound

The fuck you gonna say now?

Do me a favor, stop weighing me down
Fucking clown, Lyrical Law is too muscle bound
Houdini style nigga, just struggle and drown
Get it over with you can never fuck with my style
You got raped nigga, you bleeding, don't touch my towel
You can spit them wack juice punchline lines all you want
But don't front, bottom line, I'm the champ, you a chump
You can spit your stupid punchlines all you want
But after this the whole world gonna see who won
That's what you wanted right? get the fuck off my mic!

Time after time.

Fred went on a hunch. Two other musical references had been mentioned in The Art of Yo. First was Cyndi Lauper. Fred pulled up the first return from Youtube:

https://www.youtube.com/watch?v=VdQY7BusJNU

Lying in my bed I hear the clock tick,
And think of you
Caught up in circles
Confusion is nothing new
Flashback, warm nights
Almost left behind
Suitcases of memories,
Time after
Sometimes you picture me
I'm walking too far ahead
You're calling to me, I can't hear
What you've said
Then you say, go slow
I fall behind
The second hand unwinds
If you're lost you can look and you will find me
Time after time
If you fall I will catch you, I will be waiting
Time after time
If you're lost you can look and you will find me
Time after time
If you fall I will catch you, I will be waiting
Time after time
After my picture fades and darkness has
Turned to gray
Watching through windows
You're wondering if I'm okay
Secrets stolen from deep inside
The drum beats out of time

Fraternity of the Impoverished

Fred's eyebrow raised. The next clue mentioned another track by Rip the Jacker

https://www.youtube.com/watch?v=DOO6gAsRWe4

Fraternity of the Impoverished
Knowledge this, knowledge this
The vocalist beast, knowledge like the Pope in this piece
You think the ocean is deep? Fuck with me!
Unbelievable bars, unbeatable odds
Unspeakable horrors at a unperceivable cost
Your unagreeable response lacks thought and human heart
This is Lyrical Law, it's what I make the music for
My prayers are simple, my forehead is layered with wrinkles
Because of all the hardships that I've been through
Symbolic Hip Hop prophet speak to your subconscious
French politics got the public thinking the opposite
I'm a hypo-lyrical spontaneous alchemical
Elite neo-liberal child of the indigo
Drilling holes through the Faraday cages of your brains
Then I implant the arcane image of Saint Germaine
High lyrical exponent intelligence quotient
When I'm focused I can engage multiple opponents
But I won't if, I have no motive,
"Soldier be careful, it's loaded!"
Verbose with emotions of psychosis
In case you didn't notice ,when I wrote it
I'm spitting lyrics fitting in tighter spaces than outer-space roaches
A real emcee don't have to do what he don't wanna do
And that includes freestylin' in front of you
It's not like something gone change
It's not like the whole world gone start praising my name-
I stay in my lane
I'd rather die by living brave then live like a slave
I'd rather be broke then be fake and get paid
These layers of physicality challenge me
My soul is gold and it's the only thing that's able to balance me
My energy body has a alchemical copy that looks godly
Not fat, out of shape or sloppy
The iller the rhymes the more that I embody
Vilified when real recognize real - I gets mines
Stand with the underdog - don't be a coward
Stop dickriding people for their money and power!
Even the American flag says 'Made in China'
The national debt says the US is a vagina
Of a black widow spider spraying blood out like a geyser
Why do we lose everything we fight for?
Fathers, mothers, sons, daughters
In the land of the lawless, sacrificed before Horus
The Inca, the Aztecs, the Mayans, were masters
A new beginning is coming - the irony is classic
The potential of life versus the potential of death
Either way we go through mad mental stress
God forbid for you, for her, or him
We ignored the gems now we gotta do it all again
We failed Hip Hop's laws and brought down shame upon our cause
Now we will fall upon our swords
The Shaman pays homage to Solomon
He orders them to send the witchdoctor in, then asked me to rhyme again
Every now and then I get retarded and spit
I would like to apologize to every artist I dissed
Everybody assumes that I wanna rhyme when I don't
Sometimes I just wanna chill and watch you flow
Mysteries of the cathedral, the dark overlords are evil
Ripped out the vocal cords of the people
I walk up to your bed side in disguise with red eyes
And tell you to remember these rhymes
This is the season of Hip Hop, believe it or not
I lined it up with the planet's equinox.


Bilderburgh Cold Case feat. Canibus
https://www.youtube.com/watch?v=ZLovotxfiJ0

"The Exoduster Movement"

Fred swiped away the music for now. A few taps later he was trying contain his cool. He went to Pseudo Occult Media ( http://www.pseudoccultmedia.net/view/flipcard ) to check some news. A few taps more and his jaw had dropped. "Coincidence Theory" was going out the window at this point. He couldn't turn away from all the data that the universe was streaming.

He was standing in front of a temple, about to talk to a monk, about Christ. What he was looking at on his phone was a totally random choice. He only clicked three times. The odds of it where astronomical! He read through his phone:

"Cristiano Ronaldo (huge football star) is a Christ resonator. Not only because his name has Crist in it, but also because of a synchronistic link to Ronald/Roland Taverner in Southland Tales, who is the real Messiah in the film.

Millions of people practically worship Ronaldo, just like they did to the overweight buck-toothed Brazilian Ronaldo (see him in the Simpsons with Valis/Zebra/Checker symbolism resonating Homer). So you have two Ronaldo's both renowned for the exact same thing, being football gods to many. In Southland Tales, a duplicate of Ronald/Roland is made when he travels through a rift in space/time. Maybe the duplicitous nature of Ronalds/Ronaldos has something to do with dualism like in Freemasonry."

Just like all the songs he had been going through? He decided to check the author of the article. His name was Benjamin Singleton. The first return on Google came back as:

"A leader in the "Great Exodus"

but that Ben had died in 1900.

I UNDERSTAND PHILIP K. DICK

I UNDERSTAND PHILIP K. DICK

by Terence Mckenna

1991
Afterword which appeared in the book : In Pursuit of Valis: Selections from the Exegesis edited by Lawrence Sutin

____________
True stories have no beginnings and neither does the tale of PKD’s encounters with the Overmind. But we writers understand narrative economy, and for purposes of narrative economy his story seemed to him to begin with the mysterious break in and riffling of his papers that was made notorious by an article in Rolling Stone, which brought Phil long-delayed and much-deserved fame. The break-in date was 11/17/71. It was a date and a style of referring to time that Phil used frequently.

I turned twenty-five the day before. It was no casual birthday either. I met my natal day by sifting down and sincerely preparing myself for an Apocatastasis, the final Apocalyptic ingression of novelty, the implosion really, of the entire multidimensional continuum of space and time. I imagined the megamacrocosmos was going to go down the drain like water out of a bathtub as the hyperspatial vacuum fluctuation of paired particles that is our universe collided with its own ghost image after billions of years of separation. The Logos assured me that parity would be conserved, all sub-atomic particles except photons would cancel each other, and our entire universe would quietly disappear. The only particles that would remain, according to my fantastic expectation, would be photons, the universe of light would be exposed at last, set free from the iron prison of matter, freed from the awful physics that adhered to less unitary states of being. All mankind would march into the promised garden.

I felt I was well situated for the event as I, quite consciously and deliberately, and to the concern of my friends, had placed myself in the teeming, hallucinogen saturated center of the largest garden I could find, the trackless rain forest of the Upper Amazon Basin of Colombia. My confidence in my vision was unshakable. Had not the Logos itself lead me to this vision, not only by revelation but by painstaking explanation? I had no radio, no way to contact the outside world at all. Who needed that? I knew with perfect clarity that the world of time, the illusion of history was ending. Divine Parousia was entering the world, and the just, the meek and the humble were leaving their fields and factories, pushing back their chairs from their office desks and workbenches and walking out into the light of a living sun that would never set for there could be no setting for the eternal radiance of the Logos. Tears of joy streaming down their cheeks, the illumined billions were turning their eyes at last to the sky and finding there a consolation that they had never dared hope for.

However, Nixon’s weary world ignored the eschatological opportunity I thought my brother’s inspired fiddling with hyperspace had afforded. The world continued grinding forward in its usual less than merry way. There was only one small incident that might subsequently be construed, even within the framework of the schizoid logic that was my bread and butter then, to support my position. Unknown to me, a struggling, overweight SF writer, an idol of mine since my teens, discovered the next day that his house have been broken into, his privacy violated by the Other. How peculiar that on the first day of the new dispensation in my private reformist calendar, he had been burglarized by extraterterrestials the CIA or his own deranged self in an altered state. The torch had been passed, in a weird way the most intense phase of my episode of illumination/delusion ended right where Phil’s began.

This raises some questions:

Can we refer to a delusional system as a folie a' deux, if the deux participants have never met and are practically speaking, unaware of each others’ existence?

Does the delusion of one visionary ecstatic validate the delusion of another? How many deluded, or illuminated ecstatics does it take to make a reality? PKD proved that it only takes one. But two is better.

When my brother looked over the edge in the Amazon and felt the dizziness of things unsaid in March of 1971, he came back with two words bursting from his lips, "May Day! May Day!" the pilot’s call of extreme emergency.

May Day found me in Berkeley sheltered by friends so concerned about my state of mind that they considered committing me. I was only a few miles from Phil, who was rapidly going nuts too, as his psych admission of 3 May ‘71 attests. It was always like that with PKD and me. We never met but we lived around each other for years. In Berkeley, we both lived on Francisco St. within five blocks and a few years of each other. We both had roots in Sonoma County, in Orange County. How many times were we a table or two away from each other in the Cafe Med? How many times did I hurry past him on the Ave on some stoned errand? Later his homeopathic doctor was my doctor. There is a garbled mention of me (or my brother) on pg. 74 of this book.

Yah, yawn, the world is fuckin’ strange, right bro?

Wrong. Or rather, of course, sure. But that is not the point, the point is that I understand Philip K. Dick. I know that sounds like hubris and if I am wrong I am sorry (as*Phil says somewhere.)

(as* PKD lived at 1126, then a few years later and for six months I lived at 1624.)
But part of the delusional system in which I live contains and adumbrates the notion that I know what happened to the poor dude. We shared an affliction, a mania, sort of like Queequeg and Ishmael. And like one of those whale chasing sailors "I alone escaped to tell thee of it".

Phil wasn’t nuts. Phil was a vortex victim.* Schizophrenia is not a psychological disorder peculiar to human beings. Schizophrenia is not a disease at all but rather a localized traveling discontinuity of the space time matrix itself. It is like a travelling whirl-wind of radical understanding that haunts time. It haunts time in the same way that Alfred North Whitehead said that the color dove grey "haunts time like a ghost."

There is an idea that wants to be born, it has wanted to be born for a very long time.** And sometimes that longing to be born seffles on a person. For no damn good reason. Then you’re "it," you become the cheese, and the cheese stands alone. You are illuminated and maddened and lifted up by something great beyond all telling. It wants to be told. It’s just that this idea is so damn big that it can’t be told, or rather the whole of history is the telling of this idea, the stuttering rambling effort of the sons and daughters of poor old Noah to tell this blinding, reality-shattering, bowel-loosening truth. And Phil had a piece of the action, a major piece of the action.

But I anticipate myself. Those who grasp a piece of the action end up with two things on their plate; the experience and their own idiosyncratic explanation of the experience based on what they have read, seen and been told

__________
* "ZEBRA (VALIS): ‘a vortex of intelligence extending as a supra-temporal field, involving humans but not limited to them, drawing objects & processes into a coherency which it arranges into information. A FLUX of purposeful arrangement of living information, both human & extra-human, tending to grow & incorporate its environment as a unitary complex of subsumations.’"(pg. 72)

** "Okay, fertilization is what takes place: it isn’t a seed such as a plant has, but an egg such as a human woman ovulates, and cosmic spermatika fertilizes it; a zygote is produced." (pg. 22

The experience is private, personal, the best part, and ultimately unspeakable. The more you know the quieter you get. The explanation is another matter and can be attempted. In fact it must be told, for the Logos speaks and we are its tools and its voice. Phil says a lot of things in the Exegesis, he is aware that he says too much, so he keeps trying to boil it down to ten points or twelve parts or whatever. I have my own experience, equally unspeakable, and my explanation, equally prolix. Phil (sometimes) thought he was Christ,* I (sometimes) thought I was an extraterrestrial invader disguised as a meadow mushroom. What matters is the system that eventually emerges, not the fantasies concerning the source of the system. When I compare Phil’s system to mine, my hair stands on end. We were both contacted by the same unspeakable something. Two madmen dancing, not together, but the same dance anyhow.

Truth or madness, you be the judge. What is trying to be expressed is this: The world is not real. Reality is not stranger than you suppose, it is stranger than you can suppose. Time is not what you think it is.** Reality is a hologram.*** Being is a solid state matrix and psychosis is the redemptive process ne plus ultra.**** The real truth is splintered and spread throughout time.

__________
* "1 am a homoplasmate: Zebra acting in syzygy with a human." (pg. 79 but also: "Did I do something? Absolutely. But I don’t know what I did, so I don’t know who (so to speak) I am in the drama." (pg. 42.)

** "If the Logos is outside time, imprinting, then the Holy Spirit stands at the right or far or completed end of time, toward which the field-flow moves (the time flow). It receives time: the negative terminal, so to speak." (pg. 64.) See also "If there is to be immortality, there must be another kind of time: one in which past events (i.e., the past in its entirety) can be retrieved i.e., brought back. I did experience such a time." (pg. 79.)

*** "It (reality) is a hologram. 1) My augmented sense of space proves it. And 2) the information element; consisting of two parts: set and ground.

"All this points to: hologram. Based on two information-rich signals." (pp. 98-99.)
**** "The Gospels, then, depict a sacred mythic rite outside of time, rather than a historical event.

"Note: This whole process can be regarded as a psychological transformation, that of a redemptive psychosis." (pg. 95.
Appearances are a vast and interlocking lie.* To finally know the Logos truly, if that means anything, is to know it as for, as what Phil called a "unified abstract structure." In a way this was where PKD went wrong. It wasn’t his fault. He saw that the world of 1975 was a fiction and behind that fiction was the world of AD 45. But he lacked an essential concept, lacked it because it really hadn’t been invented yet. Anyhow the man was a SF writer and a scholar of classical philosophy, he could not be expected to stay in touch with arcane discoveries beginning to take place on the frontiers of research mathematics. But he got very close, his intuition was red hot when he reached the conclusion that a unified abstract structure lay behind the shifting always tricky casuistry of appearances. The concept he needed was that of fractals and fractal mathematics. The infinite regress of form built out of forms of itself built out of forms of itself * unto infinity. The principle of self similarity. Phil was right, time is not a linear river. He was right, the Empire never ended. Parallel universes is too simple a concept to encompass what is really going on. The megamacrocosmos is a system of resonances, of levels, of endlessly adumbrated fun-house reflections. PKD really was Thomas and Elijah and all the other precursive concrescences that came together to make the cat-loving fat man who compacted trash into gold. The logic of being that he sought, and largely found, was not an either-or logic but a both-and and and-and kind of logic.

_____________

* "Probably the wisest view is to say: the truth like the Self is splintered up over thousands of mile and years; bits are found here and there, then and now, and must be recollected; bits appear in the Greek naturalists, in Pythagoras, in Plato, Parmenides, in Heraclitus, Neo-Platonism, Zoroastrianism, Gnosticism, Taoism, Mani, orthodox Christianity. Judaism, Brahmanism, Buddhism, Orphism, the other mystery religions. Each religion or philosophy or philosopher contains one or more bits, but the total system interweaves it into falsity, so each as a total system must be rejected, and none is to be accepted at the expense of all the others..." (pp. 111-112)
PKD was never more right than when he wrote:

I actually had to develop a love of the disordered & puzzling, viewing reality as a vast riddle to be joyfully tackled, not in fear but with tireless fascination. What has been most needed is reality testing, & a willingness to face the possibility of self-negating experiences: i.e., real contradictions, with something being both true & not true.The enigma is alive, aware of us, & changing. It is partly created by our own minds: we alter it by perceiving it, since we are not outside it. As our views shift, it shifts. In a sense it is not there at all (acosmism). In another sense it is a vast intelligence: in another sense it is total harmonia and structure (how logically can. it be all three? Well, it is). *
One cannot learn these things. One can only be told these things. And it is the Logos that does the telling. The key is in the I Ching, which Phil loved and used but which occupies a disappointingly small fraction of his ruminations in the Exegesis.** Almost as if the counter flow, the occluding intelligence, kept Phil’s eyes diverted from the key element necessary to the universal decipherment that he was attempting. Time is a fractal, or has a fractal structure. All times, moments, months and millennia, have a pattern; the same pattern. This pattern is the structure within which, upon which, events "undergo the formality of actually occurring," as Whitehead used to say. The pattern recurs on every level. A love affair, the fall of an empire, the death agony of a protozoan, all occur within the context of this always the same but ever different pattern. All events are resonances of other events, in other parts of time, and at other scales of time.***

_____________

* (pg.91.)
** "MITHC seems to be a subtle, even delicate questioning of, what is real? As if only the 2 books in it, GRASSHOPPER & the I CHING are really the only actual reality. Strange." (pg. 181.)

*** "Through anamnesis and restoration to the Form realm you have access to several space-time continua based on your universals." (pg. 102.)

The mathematical nature of this pattern can be known.* It can be written as an equation, just like the equations of Schrodinger or Einstein.

The raw material, the Ur text, out of which this mathematical pattern can be drawn is the King Wen sequence of the I Ching. That is where the secret lies. In the world’s oldest book. Of course. Once possessed the pattern can then be discerned everywhere. Of course. It is ubiquitous. One of Phil’s favorite words. I know this because the Logos taught me the pattern and I escaped the black iron prison of the world to tell thee of it. I have published it, I have lectured it and have had it written into software. My books are on the way, some with Phil’s old publisher Bantam. I would bet dollars to donuts that if Phil had lived to see, to feel, and to understand what this PKD-inspired servant of the Logos has managed to drag home from the beach, he would embrace it. This cannot be said without sounding like a madman or a jackass. I am sorry about that. As Phil Dick said,

"What’s got to be gotten over is the false idea that hallucination is a private matter." **
What is important is that the birth of this idea is now very near, has in fact already happened, and PKD showed the way. The answer is found. And this incredible genius, this gentle, long-suffering, beauty-worshipping man showed the way. When it counted he was right. All hail Philip K. Dick.

-Terence McKenna Occidental, California
June 1991

______________

* "The agent of creation (Logos or Forms, whatever called) is at the same time the abstract structure of creation. Although normally unavailable to our cognition and perception, this structure and hence the agent of creation can be known..." (pg. 125) Also, ". this insubstantial abstract structure is reality properly conceived. But it is not God. Here, multiplicity gives way to unity, to what perhaps can be called a field. The field is self-perturbing; it initiates its own causes internally; it is not acted on from outside". (pg. 127). Also, "‘The agent of creation is its own structure’. This structure must not be confused with the multiplicity of physical objects in space and time governed by causation; the two are entirely different. (The structure is insubstantial, abstract, unitary and initiates its own causes internally, it is not physical and cannot be perceived by the human percept-system sensibly; it is known intelligibly, by what Plato called Noesis, which involves a certain ultimate high-order meta-abstracting.)" (pg. 128). And finally: "1 ... posit ontological primacy to the insubstantial abstract structure, and, moreover, I believe that it fully controls the physical spatiotemporal universe as its basis and cause." (pg. 129)
** pg.17

For information about the Philip K. Dick Society, write to:
PKDS,
P.O. Box 232517
Encinitas, CA 92023

Terence McKenna, with his brother Dennis McKenna, wrote The Invisible Landscape, 1975, reprinted by Harper San Francisco in 1992. He is also the author of The Archaic Revival: Essays and Conversations by Terence McKenna, Harper San Francisco, 1991.

Afterword copyright © 1991 by Terence McKenna

Copyright © 1991 by The Estate of Philip K. Dick

Predictive Programming

Published on Feb 15, 2017 by Polarization Nation Media

https://www.youtube.com/watch?v=1wwA58XHcbA

I called the historic Super Bowl tie/overtime using Unified Code Theory.
My speculation about the winner was incorrect, but the predictive media foretold the first super bowl tie and overtime in fifty one years.

Tie score was a 2-11's and an 88 code .
Half time was a 33 code - 3-12=3 and 1+2= 3 , 33
28-28 = 10+10 drop the zero-11
28+28=56=11=1+1=2
Final score 34-28
That's a 7-10, drop the zero = 7+1= LI code

I've already unpacked the Dylann(6) Storm(5) Roof(4) countdown code and it's relation to the Vince Staples rap song "Jump off the Roof" assassination, and it was referenced in Obama's farewell address hosted by the White House YouTube page. We saw some jump off the roof symbolism in the opening of Lady Gag's performance at the Halftime Show.

The escalating manufactured race divide tactics of the media can no longer be ignored. I speculated we were seeing teams representing mythological and or socio-political groups being rigged into symbolic championships that signify coming events. Although the Falcons certainly have the Masonic Hiram Abif and Egyptian Horus symbolism present all over, the pairing of the Patriots with Atlanta can also suggest white conservatives and black America.

Patriots are the white conservatives.

ATL is black America.

White over blacks could mean something with the Roof case going bad or a white on black crime - say trump supporters hit Obama, or blacks hit the White House and rednecks bring out their cache of guns ? There's a few ways they could incite those LA Riots 2.0 sparking off all over- Ferguson seemed to be a beta test of that and it worked. Now agent provocateurs are even at the pink pussy hat marches too. They're getting everybody fired up for something. The wood has been chopped and the gas has been poured; I'm now waiting for the spark.


Whitney Houston Code

Whitney E. Houston has an anagram of "White House, not NY."
We are being told the next 9-11 like event will be at the White House, not in New York City again. Her career and personal biographical data are laced with 9-11 codes as is the Oscar Winning film The Bodyguard and it's legendary soundtrack.

Whitney Houston performed at Super Bowl xxv.
-SB 25=2/5

-On 1-27-91
1-2+7-9+1
1-9-1
911

Proceeds for the Halftime Show went to American Red Cross Fulf Crisis Fund. The amount of the proceeds?
$531,650.
$531,650 = (5+3+1=9 & 6+5+0+=11)
9-11

The Bodyguard album was awarded 17x platinum on 1-11-1999.

Also, when Whitney Houston's "star spangled banner" was re-released, it was on 9-26-2001- another 911:
9, 2+6+2+0+0+1= 11

Red Tiles